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Everyday Etiquette and Manners: Cutlery (another occasional series begins)

I was recently at a luncheon that was attended by several generations of people from different walks of life.  The restaurant was on the smart side, the food was delicious and unpretentious, and the service was effective and discreet.

However, the table manners of some of the guests, mainly the twenty-somethings, were genuinely shocking.  They appeared to have no idea how approach the table settings, how to hold their cutlery or when to wait or proceed with their food and drink.

The most important thing to know, before you even start talking about table manners, is that the host honours his guests by putting their needs above his own and the guest must show himself to be worthy of that courtesy.  Manners are there to accommodate and reassure, not to confound.

So in this first article in the series we shall talk about cutlery:

Forks on the left, knives and spoons on the right and the guest should work from the outside inwards, course by course.

If a fork is used without a knife, it is held in the right hand with the tines (prongs) pointing up.  Always hold it as near to the end of the handle as you can.  The fork should rest on the middle finger which is supported by the outer two fingers.

If a knife and fork are being used together, the fork should be held like a knife with the tines pointing downward.  It is acceptable nowadays to turn the fork over momentarily in order to scoop up food that has been pushed onto it by the knife.  In that case the food should be pushed onto the inner side of the fork, otherwise you might poke your companion on the left with your elbow.  Eating persistently with the tines of the fork turned upward is not acceptable.  The knife should be held as in the illustration and never held like a pen.

If you are eating with a spoon alone, it should be held in the right hand, just like a solo fork.

If a fork and spoon are used together, the fork should be used in the left hand with the tines pointing downward.  The spoon is the receptacle in this case and the fork as the guide.

Pausing and finishing eating:  It is correct to lay your cutlery down after each mouthful while you chew and swallow.  To indicate with your cutlery that you are merely pausing, the knife and fork (or fork and spoon) should be laid neatly in the twenty past eight position of the clock with the tines of the fork pointing down.  When you have finished, lay the knife and fork (or fork and spoon) neatly side by side, in the six-thirty or twenty-five past five position, with the tines of the fork pointing upward.  This indicates to both guests and waiting staff that you have finished.

 

With grateful thanks to Debrett’s 1992 edition of ‘Etiquette and Modern Manners’ ed. Elsie Burch Donald for their illustrations.

 

 

Comments { 20 }

Sunday Poem 138

I started this off as an extract, but as I typed, I thought the story was just too good and atmospheric to deprive you.  I found it so creepy I had to look at pictures of fairies and kittens to ensure an unbroken night’s sleep.  I can say quite openly that it would be close to my idea of hell to be stuck in a deserted church, in the dark, alone, in the middle of Lincolnshire.  It’s up to you how much you read!

A Lincolnshire Tale – by John Betjeman (1906-1984)

Kirkby with Muckby-cum-Sparrowby-cum-Spinx
Is down a long lane in the county of Lincs,
And often on Wednesdays, well-harnessed and spruce,
I would drive into Wiss over Winderby Sluice.

A whacking great sunset bathed level and drain
From Kirkby with Muckby to Beckby-on-Bain,
And I saw, as I journeyed, my marketing done
Old Caistorby tower take the last of the sun.

The night air grew nippy.  An autumn mist roll’d
(In a scent of dead cabbages) down from the wold,
In the ocean of silence that flooded me round
The crunch of the wheels was a comforting sound.

The lane lengthened narrowly into the night
With the Bain on its left bank, the drain on its right,
And feebly the carriage-lamps glimmered ahead
When all of a sudden the pony fell dead.

The remoteness was awful, the stillness intense,
Of invisible fenland, around and immense;
And out of the dark, with a roar and a swell,
Swung, hollowly thundering, Speckleby bell.

Though myself the Archdeacon for many a year,
I had not summoned courage for visiting here;
Our incumbents were mostly eccentric or sad
But – the Speckleby Rector was said to be mad.

Oh cold was the ev’ning and tall was the tower
And strangely compelling the tenor bell’s power!
As loud on the reed beds and strong through the dark
It toll’d from the church in the tenantless park.

The mansion was ruined, the empty demesne
Was slowly reverting to marshland again -
Marsh where the village was, grass in the Hall,
And the church and the Rectory waiting to fall.

And even in springtime with kingcups about
And stumps of old-oak trees attempting to sprout,
’Twas a sinister place, neither fenland nor wold,
And doubly forbidding in darkness and cold.

As down swung the tenor, a beacon of sound,
Over listening acres of waterlogged ground
I stood by the tombs to see pass and repass
The gleam of a taper, through clear leaded glass,

And such lighting of lights in the thunderous roar
That heart summoned courage to hand at the door;
I grated it open on scents I knew well,
The dry smell of damp rot, the hassock smell.

What a forest of woodwork in ochres and grains
Unevenly doubled in diamonded panes,
And over the plaster, so textured with time,
Sweet discolouration of umber and lime.

The candles ensconced on each high panelled pew
Brought the caverns of brass-studded baize into view,
But the roof and its rafters were lost to the sight
As they soared to the dark of the Lincolnshire night:

And high from the chancel arch paused to look down
A sign-painter’s beasts in their fight for the Crown,
While massive, impressive, and still as the grave
A three-decker pulpit frowned over the nave.

Shall I ever forget what a stillness was there
When the bell ceased its tolling and thinned on the air?
then an opening door showed a long pair of hands
And the Rector himself in his gown and his bands.

* * * * *

Such a fell Visitation I shall not forget,
Such a rush through the dark, that I rush through it yet,
And I pray, as the bells ring o’er fenland and hill,
That the Speckleby acres be tenantless still.

Comments { 9 }

Sunday Poem 137

Sorry this is so late – long, long day….

The Thought-Fox – by Ted Hughes (1930-1998)

I imagine this midnight moment’s forest :
Something else is alive
Beside the clock’s loneliness
And this blank page where my fingers move.

Through the window I see no star :
Something more near
Though deeper within the darkness
Is entering the loneliness :

Cold, delicately as the dark snow
A fox’s nose touches twig, leaf ;
Two eyes serve a movement, that now
And again now, and now, and now

Sets neat prints into the snow
Between trees, and warily a lame
Shadow lags by stump and in hollow
Of a body that is bold to come

Across clearings, an eye,
A widening deepening greenness,
Brilliantly, concentratedly,
Coming about its own business

Till, with a sudden sharp hot stink of fox
It enters the dark hole of the head.
The window is starless still ; the clock ticks,
The page is printed.

This poem can be found in ‘Verses of the Poets Laureate: From Dryden to Andrew Motion’

Comments { 5 }

An Unhealthy Interest in Medical Paraphenalia

Collecting things is so brilliant. Not only is there the joy of tracking things down and displaying one’s new toys in order to drool over them on a daily basis, but one learns so much around the items; geography, social history, fashion, the skills of the maker and so on.  I have always encouraged my children to collect stuff for all those reasons.

DIY ECT

I collect Ladybird Books, gollies, books generally and old-fashioned cut glass (particularly perfume bottles).  But, given the money, I could very easily be persuaded to collect powder compacts, trains and train pictures, WW2 stuff in a significantly more serious way than I do now, paintings, beautiful furniture, odd musical instruments and recordings of them being played, and Indian artefacts.

However, I do have a secret thrill which I am rarely in a position to indulge.  Medical Stuff.  I have a craving to collect old medical books, medical instruments and associated items.  I once saw, on the Antiques Roadshow, an apparatus for giving tiny electric shocks by cranking a handle which conducted electrical impulses through little paddles which were held against the body to stimulate circulation and muscle tone in invalids.  It was in a beautiful wooden case and was a thing of beauty.  “I wants it precious, I wants it”, I mumbled to myself.  It was several hundred pounds and out of my reach but if I ever get the chance, a similar apparatus will be mine. Oh yes, it will be mine.

DIY bronchial dilation

I do own several very old medical textbooks including Diseases of the Skin (1937), The Encyclopaedia of Sex Practice (1938), a turn of the century anatomy textbook, Applied Surgery (1894), A large, layered anatomy model from the late 1890s and, my pride and joy, Alimentary Sphincters and their Purposes (1910).

I have very little actual equipment; a Wrights Coal Tar Vaporizer, an old bedpan, a leather doctor’s bag, assorted bottles and some baby stuff.  Then, just as I was leaving the market a couple of Sundays ago, the couple on the next stand showed me this:

It is an old DIY enema kit.  The wall-mounted enamel jug would be filled with the cleansing fluid of your choice and the tube would then be inserted up your bottom while you lay on the floor on a pile of towels, and after a period of time, one would repair to the lavatory and …er … release.  I bought it on the spot and it now resides on the bathroom wall, between the basin and the loo, with the rubber tubing hanging down in a disconcerting and slightly menacing way.

It will never be used, well not by me anyway, mainly because I have a pathological distaste for anything to do with back bottoms.  However, a coffee enema is an extremely efficacious treatment for acute pain and migraine.  Not a skinny, double-shot cappuccino with sugar you understand, but strong black filter coffee.  No really.  I know people.

Comments { 17 }

Sunday Poem 136

Lady Somerset has many virtues but singing is not one of them.  Until I met her, I was convinced that anyone could learn to sing, given the right training, but her larynx defeated me.  Many years ago, she left a message on my answerphone which turned out to be all six stanzas of  ‘The Woad Ode’.  Her insane warbling covered nearly every note of every scale (and filled up the entire tape on my answering machine) but thankfully she informed me that she was singing to the tune of ‘Men of Harlech’.  I would never have known.

Written 1914 by a housemaster at Eton College, this humorous song became popular with the Scout Movement in the 1920s.  I insist that you sing this to yourself out loud and then sing it to all your friends.

THE WOAD ODE – by William Hope Jones
(Sing to the tune of ‘Men of Harlech’)

What’s the use of wearing braces ?
Vests and pants and boots with laces ?
Spats and hats you buy in places
Down the Brompton Road ?

What’s the use of shirts of cotton ?
Studs that always get forgotten ?
These affairs are simply rotten,
Better far is woad.

Woad’s the stuff to show men.
Woad to scare your foemen.
Boil it to a brilliant hue
And rub it on your back and your abdomen.
Ancient Briton ne’er did hit on
Anything as good as woad to fit on
Neck or knees or where you sit on.
Tailors you be blowed !!

Romans came across the channel
All dressed up in tin and flannel
Half a pint of woad per man’ll
Dress us more than these.

Saxons you can waste your stitches
Building beds for bugs in britches
We have woad to clothe us which is
Not a nest for fleas

Romans keep your armours.
Saxons your pyjamas.
Hairy coats were made for goats,
Gorillas, yaks, retriever dogs and llamas.
Tramp up Snowdon with your woad on,
Never mind if you get rained or blowed on.
Never want a button sewed on.
If you stick with woad!

Comments { 11 }

Sunday Poem 135

Having heard a programme about Henry Newbolt this afternoon on Radio 4, I thought it would be a good time to have some.  I was going to chose something obscure but decided on this popular one because it gives me a shiver.  There is something tremendously sinister about the old public school notion that war and PE were effectively the same thing.

Vitai Lampada – by Henry Newbolt (1862-1938)

There’s a breathless hush in the Close to-night -
Ten to make and the match to win -
A bumping pitch and a blinding light,
An hour to play and the last man in.
And it’s not for the sake of a ribboned coat,
Or the selfish hope of a season’s fame,
But his Captain’s hand on his shoulder smote -
“Play up! play up! and play the game!”

The sand of the desert is sodden red, -
Red with the wreck of a square that broke; -
The Gatling’s jammed and the ~Colonel dead,
And the regiment blind with dust and smoke.
The river of death has brimmed his banks,
And England’s far, and Honour a name,
But the voice of the schoolboy rallies the ranks:
“Play up! play up! and play the game!”

This is the word that year by year,
While in her place the School is set,
Every one of her sons must hear,
And none that hears it dare forget.
This they all with joyful mind
Bear through life like a torch in flame,
And falling fling to the host behind -
“Play up! play up! and play the game!”

Comments { 5 }

The Two Minute Review – 16: The Hunger Games

Film:                        The Hunger Games
(adapted from the book by Suzanne Collins)

Certificate :          12A

Starring:
Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth
Also featuring:
Wes Bentley, Donald Sutherland, Lenny Kravitz

Director:          Gary Ross

Set in a corrupt and decadent future where The Capitol chooses two people from each ‘District’ between the ages of 11 and 18, to fight to the death in the annual Hunger Games (“May the odds be ever in your favour”) in order to remind a crushed and dominated empire who is in charge.  This is a brutal story of a brutal world in which ordinary people strive to remain safe, dignified and decent.  The Director has drawn on many historical source to exemplify the degeneracy of those in control and one can detects visual elements of ancient Rome, the 18th century and the excesses and profligacy of the 1980s. The look of the film is extraordinary and the plot exciting, disturbing and compelling at the same time.  We enjoyed it enormously but it should have been a 15 certificate.

Comments { 5 }

Sunday Poem 134

Regular reader The Alltime Fishwife introduced me to this gorgeous and evocative poem which was written about the loss of the Titanic.  It is particularly relevant as this year is the centenary of the Titanic disaster and the musical director at a recent festival she attended had written a piece of music to go with these lines.  I would dearly love to hear it.

The Convergence of the Twain – by Thomas Hardy (1840-1928)

I            In a solitude of the sea
Deep from human vanity,
And the Pride of Life that planned her, stilly couches she.

II            Steel chambers, late the pyres
Of her salamandrine fires,
Cold currents thrid, and turn to rhythmic tidal lyres.

III            Over the mirrors meant
To glass the opulent
The sea-worm crawls — grotesque, slimed, dumb, indifferent.

IV            Jewels in joy designed
To ravish the sensuous mind
Lie lightless, all their sparkles bleared and black and blind.

V            Dim moon-eyed fishes near
Gaze at the gilded gear
And query: “What does this vaingloriousness down here?” …

VI            Well: while was fashioning
This creature of cleaving wing,
The Immanent Will that stirs and urges everything

VII            Prepared a sinister mate
For her — so gaily great —
A Shape of Ice, for the time far and dissociate.

VIII            And as the smart ship grew
In stature, grace, and hue,
In shadowy silent distance grew the Iceberg too.

IX            Alien they seemed to be;
No mortal eye could see
The intimate welding of their later history,

X            Or sign that they were bent
By paths coincident
On being anon twin halves of one august event,

XI            Till the Spinner of the Years
Said “Now!” And each one hears,
And consummation comes, and jars two hemispheres.

 

Comments { 2 }

Sunday Poem 133

HAPPY EASTER EVERYONE XXX

Home Thoughts from Abroad – by Robert Browning (1812-1889)

Oh, to be in England
Now that April’s there,
And whoever wakes in England
Sees, some morning, unaware,
That the lowest boughs and the brushwood sheaf
Round the elm-tree bole are in tiny leaf,
While the chaffinch sings on the orchard bough
In England – now!

And after April, when May follows,
And the whitethroat builds, and all the swallows!
Hark, where my blossomed pear-tree  in the hedge
Leans to the field and scatter on the clover
Blossoms and dewdrops – at the bent spray’s edge -
That’s the wise thrush; he singseach song twice over,
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew
All will be gay when noontide wakes anew
The buttercups, the little children’s dower
- Far brighter than this gaudy melon-flower!

Comments { 6 }

Sunday Poem 132

Country Station – by Fleur Adcock (b. 1934)

First she made a little garden
of sorrel stalks wedged among
some yellowy-brown moss-cushions

and fenced it with ice-lolly sticks
(there were just enough); then she
set out biscuit crumbs on a brick

for the ants; now she sits on a
deserted luggage-trolley
to watch them come for their dinner.

It’s nice here – cloudy but quite warm.
Five trains have swooshed through, and one
stopped, but at the other platform.

Later, when no one is looking,
she may climb on the roof of that
low shed.  Her mother is making

another telephone call (she
isn’t crying any more).
Perhaps they will stay here all day.

Comments { 6 }